Embroidered patchwork stars (14 & 15) and reading about but not embroidering nutmegs

Fourteenth embellished patchwork star (hand embroidered by Mary Addison)

Fourteenth embellished patchwork star (hand embroidered by Mary Addison)

The second book I bought at the Eden Project is the sort of book you might like to have to hand when put on hold on the phone, while stirring a white sauce or while waiting for other members of the family to get ready to go out (though, in truth I am the one who needs waiting for – but you might not be). Chris Bearsdhaw’s 100 Plants that almost changed the world (pub: Papadakis 2013) is at first glance one of those books that appears to say ‘read me, I’m cute’  and over which my gaze and hovering fingers would pass without deviation. But I did stop and pick it up, quite liked the art work (Monty Python meets botanical illustration) and enjoyed the entries.

Detail of fourteenth embellished patchwork star (hand embroidered by Mary Addison)

Detail of fourteenth embellished patchwork star (hand embroidered by Mary Addison)

Doesn’t it always happen that someone mentions something interesting which you remember knowing about in the dim and distant past (little more than a week for me) and then blow me, if you don’t immediately find another reference to it (and often another and another, as if you can;t get away from it)? Well, whilst bouncing over the more boring bits of inland Cornwall from St Austell to St Ives, on our way back from the Eden Project, conversation had turned to nutmeg and specifically the nutmeg wars of the C16-C17th which became focused on the Isle of Run (sometimes spelt Rhun). And wouldn’t you know it, when tucked up in our fisherman’s cottage and I opened my new books, I found  nutmeg was indeed one of ‘the 100 plants that almost changed the world’.

Fifteenth embellished patchwork star (hand embroidered by Mary Addison)

Fifteenth embellished patchwork star (hand embroidered by Mary Addison)

However, the entry on nutmeg was superficial and brief (true of all the entries) and concentrating on the genocide of the local population at the hand of Dutch East India Company  had left the story of Run hanging at that point. But the nutmeg wars continued on and off for more than 50 years and at their close led to an exchange of colonial lands that make it  clear that nutmeg DID change the world. Let me briefly outline what happened.

Detail of fifteenth  embellished patchwork star (hand embroidered by Mary Addison)

Detail of fifteenth embellished patchwork star (hand embroidered by Mary Addison)

Originally, the most commercially important species of nutmeg came only  from the Spice Islands of Indonesia, and more specifically from the Banda Islands, 11 small volcanic outcrops, one of which, Run(or Rhun) was particularly blessed with the plant.  The Portuguese were the first to trade with the islands in nutmeg but, never establishing a land base, were unable to control the trade.  The Dutch East India Company (VOC) saw the Portuguese off and, wanting nothing less a monopoly in the spice made terrible war on the Banda Islanders, killing and enslaving over 90%  of the population. Run, however, had been difficult to subdue and success here fell to the British who made a deal to buy all the island’s nutmeg production in exchange for  protecting Run against Dutch aggression.

Richard Mabey: Brush with Nature &  Chris Beardshaw's !00 Plants that  almost changed the World

Richard Mabey: Brush with Nature & Chris Beardshaw’s !00 Plants that almost changed the World

In fact, Run, (in 1616, I think) became the first overseas British colony. In 1667, at the Treaty of Breda, some 50 years later, the British negotiated the exchange of Run for Manhattan. So, New Amsterdam became New York, all for a few sacks of nutmeg which by this time anyway the British and the French had been growing successfully elsewhere. (It is strange that Beardshaw’s book omits the coda about how the British got their hands on Manhattan, although, to be fair it has to be said that the circumstances around the giving up of Manhattan were very much more complicated than a straightforward swop.)

From Chris Beardshaw's 100 Plants that almost changed the World: detail of pages on nutmeg.

From Chris Beardshaw’s 100 Plants that almost changed the World: detail of pages on nutmeg.

But my nutmeg connections were not yet finished for on our bookshelves is Giles Milton’s ‘Nathaniel’s Nutmeg’, a wonderful accessible narrative history (and bestseller in 1999) looking at  the English adventure on Run in detail through the eyes of  Nathaniel Courthope as he negotiated with head hunters and cannibals and with a minute force staved off Dutch forces 100 times greater than his own. In truth Nathaniel Courthorpe only occupies a little more that a tenth of the book (towards the end) and in fact he only kept the Dutch off for five years until he was ambushed and killed. But Milton has researched his subject well and the first part of the book is a rollocking read devoted to the early voyages of discovery and the quite dreadful conditions on those boats buffeting their way to the Spice Islands. I rather like this sort of history book – and have enjoyed other similar books by Giles Milton. It is, however, appalling that, having had it read to me (while sewing) nearly 10 years ago,  it took me several hours after our conversation about Run to remember I’d read a whole book based on the island’s story!

Giles Milton's Nathaniel's Nutmeg

Giles Milton’s Nathaniel’s Nutmeg

You’ll no doubt be relieved to know that these are the last of my embroidered patchwork stars. Next week, it will be back to showing you more flowers embroidered for the altar frontal work on which continues feverishly as we countdown the days to our last month here. (We do have a month’s grace after that before we have to be out of the vicarage, but I would like to finish the altar frontal sooner, rather than later.)

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Embroidered patchwork stars (12 & 13)

Twelfth embellished patchwork star (hand embroidered by Mary Addison)

Twelfth embellished patchwork star (hand embroidered by Mary Addison)

Though lovely and sunny, it is really very cold – I would qualify that by saying ‘outside’ but at the moment it is also jolly cool inside our eco-vicarage as the Mitsubishi fan that feeds our air source heat pump has failed and we are waiting for a replacement. Last week we awoke to several heavy frosts and during the day we were subjected to furious hail stones so large and forceful that they hurt. Today, sitting by an open log fire, cosily swathed about with a voluminous scarf, I look out on to blue skies and bright sun. Oh warmth, where are you? We shall certainly not be casting any clouts till May is out, if this carries on – though the vicar says we have been promised a heatwave for the end of the week. Such are the vaguaries of British weather, anything is possible.

Detail of  twelfth embellished patchwork star (hand embroidered by Mary Addison)

Detail of twelfth embellished patchwork star (hand embroidered by Mary Addison)

Packing was a great antidote to the cold, with all that heaving things off shelves, pulling bits of old hardware out from under beds and rushing around with boxes. For the moment I have very firmly confined myself to doing this for 3 and a half days, preferring to be manic for just half the week as there’s still plenty of sewing to be done in the other half of the week and the lure of reading books I shouldn’t be buying has the pulling power of a siren – especially as last week I added two more books – Anna Pavord’s Landskipping (the vicar is reading this to me out loud as I sew and we are already half way through) and John Lewis Semple’s Meadowland. As you can tell, about to leave the country for the town, I have been overdosing on bucolic themes.

Thirteenth  embellished patchwork star (hand embroidered by Mary Addison)

Thirteenth embellished patchwork star (hand embroidered by Mary Addison)

Coming late to Richard Mabey (The Times calls him ‘Britain’s greatest living nature writer’) I started on ‘A Brush with Nature’, a volume of essays from 2010. Remembering I had bought this book at the Eden Project when my curiosity about china clay began and bearing in mind Penny Cross’s story about emerging from the Cornish sea covered in a slip of white clay, I was much taken with the following passage,

“The March equinox is not like the other great hinges of the year.It doesn’t slip by imperceptibly, like midsummer or midwinter or drag out elegiacally like hallowtide. It’s a portal between the seasons, a stargate, a momentous rearrangements of the northern hemisphere’s air and water. And strange things can happen during it. Down in Cornwall a few years ago, I sat in the hanging oakwoods by the side of the Fal Estuary and watched the spring high tide, stained pure whit by kaolin from the old china clay works, rise up through the trees. It was a hallucinatory vision: ferns rippling under water, primroses flowering in a bath of milk.”  Beautiful writing.

Detail of thirteenth embellished patchwork star (hand embroidered by Mary Addison)

Detail of thirteenth embellished patchwork star (hand embroidered by Mary Addison)

 

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