Altar frontal: The opium poppy

Altar frontal for Ipsden Ch. Oxon: Opium Poppy (hand embroidered by Mary Addison)

Altar frontal for Ipsden Ch. Oxon: Opium Poppy (hand embroidered by Mary Addison)

In my last post I rather clumsily justified my inclusion of the Canada Lily on the altar frontal  by guessing that some garden somewhere in Ipsden was sure to be growing it (when the real reason was that I couldn’t resist embroidering such a fabulous flower). No doubt you’ll be thinking I’ll be making the same claim for the opium poppy which it is true is not known for being a Chiltern stalwart – indeed in one of last week’s Sunday colour supplements a recount of running the Ridgeway had the writer taken aback by coming across fields of sturdy opium poppies as he ran along Grim’s Ditch – our neck of the woods.

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Opium Poppy, Papaver somniferum (photo: John Scourse)

But the truth is it is now a local cash crop that for some years now has done very well for our farmers. It has the additional benefit that for a very few weeks around the end of June it is stunningly beautiful, as if a pale mauve blanket has been draped over the swell and dip of a chalk landscape caught in a drowsy mmid summer snooze. Last year the field behind the vicarage grew poppies and for a couple of weeks, when you opened the curtains in the morning it was quite disorientating – almost as if it had snowed in the night .

Ipsden vicarage garden with opium poppy field beyond

Ipsden vicarage garden with opium poppy field beyond (late June 2014)

See here (at the end of my post ‘Harvest’ for 2012) for more about opium poppies as a commercial crop.

Ipsden vicarage garden with view to opium poppy field beyond (late June 2014)

Ipsden vicarage garden with view to opium poppy field beyond (late June 2014)

Altar frontal for Ipsden Ch. Oxon: Opium Poppy (hand embroidered by Mary Addison)

Altar frontal for Ipsden Ch. Oxon: Opium Poppy (hand embroidered by Mary Addison)

 

 

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Altar frontal: a revised lily

Altar frontal: revised lily and original lily (hand embroidered by Mary Addison)

Altar frontal: revised lily and original lily (hand embroidered by Mary Addison)

My original lily was undoubtedly a tiger lily (L. lancifolium) which I associate so strongly with childhood gardens that I was quite taken aback to discover has only been cultivated in England for about 200 years. But my ignorance puts me in some excellent company for Gertrude Jekyll so loved the Asiatic Tiger lily that she regarded it as an English native, writing,  ‘cherished as an old English garden flower… so familiar is it, not only in our gardens, but in old pictures and in the samplers and embroideries of our great-grandmothers’. The fact is it had been sent to London by Kew’s first resident plant collector  in Canton, William Kerr, under the aegis of Sir Joseph Banks in 1803. Kerr’s Tiger Lily took to the English soil at Kew in a big way and within 6 years 10,000 had been cultivated.

Altar frontal: Tiger lily (hand embroidered by Mary Addison)

Altar frontal: Tiger lily (hand embroidered by Mary Addison)

Childhood memories of the flower are reinforced by its appearance as a talking plant in Lewis  Carroll’s ‘Through the Looking-glass, And What Alice Found there. But fonder associations for me come from Rupert Bear’s Chinese friend, Tiger Lily, whose shining black bob and exotic costume gave me my first introduction to the Orient. When the children were small we named a  stripey tabby Tiger Lily as a vague departure from the obvious Tiger (well, we’d had one of those already). So, tiger lilies always seemed rather lovely things – whether plant, animal or a fictitious character.

Altar frontal: revised lily (hand embroidered by Mary Addison)

Altar frontal: revised lily (hand embroidered by Mary Addison)

The lily I chose to embroider this time is one taken from the book I’ve been reading on Mary Delany (mentioned here). I will add a photograph of the lily plate from the book tomorrow when I return to London for night time nanny duties. (Plate now added below).  It’s not a slavish copy but I hope I’ve caught a bit of the colourful impact of Mrs Delany’s brilliant paper cut. (6/10/14: Now I see Mrs Delany’s flower below mine, I can see I did a better job at copying that I thought.)

Detail of Mrs Delany's Canada Lily (from Molly Peacock: The Paper Garden; Bloomsbury 2011)

Detail of Mrs Delany’s Canada Lily (from Molly Peacock: The Paper Garden; Bloomsbury 2011)

This red lily is Canada’s elegant spotted Martagon (L. canadense) which the royal apothecary, John Parkinson, had in his garden as early as 1629, referring to it as ‘this strange Lilly (sic)’. The martagons are Turk’s Cap lilies from the Turkish word for a turban style hat because the swept back petals resemble richly coloured silk gathered up bouffant like high on the head. (It now strikes me that the Tiger Lily is also a Martagon.)

My intention in embroidering flowers for the altar frontal was that they should be found locally. The lily has led me to foreign parts but I justify its inclusion by being sure that such one time exotic plants are now to be found in many well tended plots whose gardeners have been unable to resist their beauty and architectural bearing.

Jennifer Potter: Seven Flowers And How They Shaped Our World (Bantam, 2013(

Jennifer Potter: Seven Flowers And How They Shaped Our World (Bantam, 2013(

The lily is one of the flowers in Jennifer Potter’s Seven Flowers And How they Shaped Our World (Atlantic Books, 2013) – a great source of information.

 

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