It has been my aim with this blog to try to complete and show one item of either knitting or embroidery each week. Sometimes other things get in the way and, having completed nothing in the week, I fall to talking about a book which I’ve found stimulating to thought or inspirational to design/making. (When my cupboard was really bare my husband’s hand made birthday cards have from time to time made their appearance and rescued me from the dread of the blank screen!) This week I was, however, buoyant with having got on with things and I felt I had achieved a lot. Sadly, when push came to shove and it was time to document my week’s production, I realised that although I’ve got a lot of ideas down on paper, all I’ve actually finished are a couple of knitting samples. Well, here they are.

Fair Isle sample bases on a design in Marie Wallin’s Once Upon a Time (collection 4)
The Fair Isle band is a sample for a jumper for the now-full-time-in-nursery-school grandson. The design for the decorative band was taken from Once upon a Time by Marie Wallin (collection 4) but I adapted it for Debbie Bliss‘s Baby Cashmerino yarn quite simply because, with so many ends of balls left over from other things, I can have fun experimenting with colour with no additional expense. The small person also likes the yarn because it is gentle on a skin which has been known to find even Shetland wool a bit scratchy. Because the pattern calls for thicker wool and bigger needles than I was using, the change in scale has a very different look.

Sample flower – an attempt at Swiss Darning
The second sample, a pink splodge on pale blue, is an attempt at a flower which came from playing around with colouring pencils on graph paper. I tried knitting this in Fair Isle, but the strands of wool trailing behind became tangled and the stitches too tight – not a good look. I then knitted a plain square to which I added the design in Swiss darning and this was a lot better. Of course, those of you who have done this sort of thing before realise that translating a sketch into knitting has its pitfalls. Each knitted stitch is not a perfect square – like that on the graph paper – because the knitted version is wider than it is tall, and this makes your lovely well proportioned design rather short and fat. But this technique is at least flexible, even on a sample, for it allows you to add another row or two top and bottom to help restore the proportions of the original design – and this is what I did. The flower is still a bit of a blob but – and that’s the point of doing a sample – I shall come back to it and work on a bit more detail.

Collection of knitting patterns: Marie Wallin’s Once Upon a Time (collection 4)
My husband now works as a volunteer for Cheltenham Art Gallery and Museum (The Wilson) and he has recently picked up on the blog he started when I started mine. He is particularly keen to highlight individual items in the gallery’s collection and to document details as to provence, history, etc which his research has thrown up. Although it is over 30 years since he was director of the gallery, his interest has never waned and coming into contact with items he himself bought is like meeting again a whole host of long lost friends. If you would like to explore The Wilson’s collection do follow this link. (Not all posts are about the paintings and works on paper.)